Review by G. Robert Frazier
Dragonfish, like Gone Girl, is two interconnected stories in one – and both are thoroughly engrossing. Written by Vu Tran, the novel is part noir-crime thriller and part literary memoir.
At the heart of both stories is Suzy, a Vietnamese woman haunted by her past and her own inability to find true happiness with either of the men in her life. Her mood swings—from attentive and loving wife to sullen and mysterious stranger—baffle both men, Oakland police officer Robert Ruen and Vietnamese gangster Sonny Van Nguyen, neither of whom can let her go once she decides to leave them. Robert’s off-duty investigation takes him into the seamy warrens of casinos and gambling dens of Las Vegas, with Sonny’s sadistic son “Junior” shadowing his every move.
The story takes on a grim tone of mystery, lost love, and the slim hope of atonement for Robert, who is forever remorseful for having struck Suzy during one of their arguments. That tone is reflected further in Suzy’s own story, told in a collection of letters to her daughter, recounting her journey of discovery from a refugee camp in Malaysia after the fall of Saigon to her life in America.
Read my full review on Killer Nashville’s website.
Additional reading: The immigrant story as noir: Vu Tran’s artistic obsesscions